Showcase of Serbian theater

The purpose of this programme is to seize the unique opportunity offered by the presence of foreign critics and guests in Serbia and show them selected local productions not included in the main programme of the festival. While creating this programme, Bitef’s artistic team is not necessarily led by the accordance of the performances with Bitef’s “new tendencies”, but is more focused on choosing the ones which constitute relevant artistic achievements. This year, however, it seems that all “Bitef” criteria have been met.

In this programme, we shall show what we believe is one of the most interesting and potent segments of the past season’s theatre life: productions of theatres from Subotica in Hungarian. Apart from being artistically relevant, they can also lead the way for the local theatre as a whole.

Theatres in Hungarian forge their identity by placing focus on physical and expressive acting, in this case opening up to the poetics from other parts of the region (Belgrade, Sarajevo). This approach leads to the creation of multicultural theatre, the kind that Bitef itself is.

This year, Showcase will be a kind of a theatre marathon. The productions will be performed in a single day, at 5, 7 and 9 p.m. Moreover, they will take place not in Belgrade but on their original stages in Subotica. Bus transport from Belgrade will be provided. 

Capitalism, demonstrated in geometrical order

Capitalism, demonstrated in geometrical order

Capitalism is not just a socio-political system. Capitalism is not just an ethical system. Capitalism is also the way we feel. Capitalism is also the way of sensation, perception and reaction. Capitalism is the way of dreaming and daydreaming. Capitalism is the way of struggle against capital, profit and bourgeois crap! Capitalism is an adder in the bosom of the proletarians! Capitalism is a lullaby on mother’s lips! Capitalism is a form of aesthetic pleasure and a way of entertainment promising a crazy party! Capitalism is not boring like the doctrine of dialectical materialism. Capitalism is a seducer promising a circus of ...

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The slipped disc

The slipped disc

It is difficult to foresee the lengths the characters of Ingrid Lausund’s play are ready to go to in order to keep their place within the system. In this world, everything is for sale. To them, there is no greater joy than a rival brought to his knees whilst at the same time they bow to the one who is a rung higher on the hierarchical ladder. Their dance through the traps set by the corporate capitalism does not imply ‘clean hands’. That much is clear. Their arsenal includes tripping, bitterness, humiliation, arrogance, superficiality, passive or open aggression and other activities which, on their own, need not be all that attractive… Unless they ...

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4 in the morning

4 in the morning

Szymborska’s poetry travels between irony and warmth and finds strength where life itself finds it: in paradox. The impression I got is that the driving force for every actor was poetry helping her/him to touch within themselves, according to their age and personal contexts, the most sensitive points. I think that is why the actors conveyed the atmosphere so vividly, the feel of the world emanating from Wislawa Szymborska’s poetry. Their acting unlocks very personal images in each spectator. Her poetry contains, that is how I feel it, the whole of the 20 th century, all its sufferings and resurrections, written in all honesty; in its detail and in its rhythm, ...

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